Art History by Tanya Geercke

Author: Tanya Geercke (Page 2 of 2)

Notre-Dame: A Gothic Icon

When Notre-Dame burned in 2019, it might have been a scene from a Gothic horror film. The cathedral is often viewed through a ‘Gothic’ lens, but this romantic image shouldn’t detract from a richer understanding of the broader role the cathedral has had in its almost 900 year old history.

Image: Guillaume Levrier, 2019, via Wikimedia Commons, CC-BY-SA 4.0

During the evening of 15th April 2019, many of us would have watched the horrifying spectacle of Notre-Dame being destroyed by fire.  As firefighters fought to control the spread of the blaze that had started in the roof, brought down the spire and was threatening one of the bell towers, we went to bed wondering what would be left by the morning. Incredibly, through the heroic efforts of the fire crew and perhaps also the enduring resilience of the cathedral itself, much of the structure was spared including the decorated west façade, towers and the three stained-glass Rose windows.  These features encapsulate the style of the Medieval period and the era of the great cathedrals.

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Flowers from a Golden Age

Paintings of flowers were popular in the Netherlands throughout the 17th Century. Meticulously painted, they feature a variety of flora and fauna. They may appear purely decorative, but evidence suggests there is more to them than meets the eye.

As a keen gardener, I’ve always had a soft spot for these small paintings of flowers, if only I could grow such blooms!  Their popularity in Holland grew alongside other categories of domestic art including still-life, genre scenes and landscape all of which were bought and displayed prominently in homes.  It’s easy to think that there’s little more to these works other than what one sees – a display of pretty flowers in a vase – but I would like to explore how they came to have their distinctive appearance, what influenced their popularity and how the images have been open to different interpretations.

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Turner and the Temeraire

Is Turner’s famous painting of the heroic warship a vision of loss or hope?

I recently watched a recording of one of the programs from the TV series Great Paintings of the World, presented by Andrew Marr and screened on Channel 5 in the summer.  Episode 3 featured The Fighting Temeraire Tugged to Her Last Berth to Be Broken Up1838 by JMW Turner.  Painted in 1839, it depicts the heroic warship from the Battle of Trafalgar on its last journey down the Thames.  The work is a stunning waterscape in Turner’s characteristic expressionistic style.  His use of loose brushstrokes, thick impasto paint and thin layered glazes, evoke atmospheric impressions of a vast sky and its reflection in the still water. This contrasts with the depiction of the ship and tugboat, which are more detailed and sharply defined.  It is the juxtaposition of the grand old ship and the small puffing steamboat that has given rise to many differing views of what the painting is really about.  Is it a tragic work about loss and the end of an era, or can it be considered in a more positive light?

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