Art History by Tanya Geercke

Category: Medieval

A Festive Treat

Adoration of the Magi (1423) is a sumptuous altarpiece by Gentile da Fabriano, filled with elegant figures, intricate details and lavish gold decoration. It is a triumph of late Gothic style, revealing technical virtuosity and imaginative storytelling, as well as meeting the exacting needs of his patron.

The man standing to the right of the youngest Magi, holding a falcon and looking at the Holy Family, is Palla Strozzi (1372-1462).  He has this prominent position because he commissioned the work and in many respects, this painting is all about him. Strozzi was a banker, a nobleman and at the time the richest man in Florence.  He was a humanist, knew Greek and Latin, had an interest in rare books and was knowledgeable about art.  He founded the first public library in Florence.  This work reflects his status, as well as his taste and ideas. It is no surprise that the artist he commissioned to paint the altarpiece for his private family chapel, was Gentile da Fabriano (c.1370-1427), at the time, the most celebrated and sought-after painter in Italy, official painter to Pope Martin V and newly arrived in Florence.  Expectations would be high.

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Notre-Dame: A Gothic Icon

When Notre-Dame burned in 2019, it might have been a scene from a Gothic horror film. The cathedral is often viewed through a ‘Gothic’ lens, but this romantic image shouldn’t detract from a richer understanding of the broader role the cathedral has had in its almost 900 year old history.

Image: Guillaume Levrier, 2019, via Wikimedia Commons, CC-BY-SA 4.0

During the evening of 15th April 2019, many of us would have watched the horrifying spectacle of Notre-Dame being destroyed by fire.  As firefighters fought to control the spread of the blaze that had started in the roof, brought down the spire and was threatening one of the bell towers, we went to bed wondering what would be left by the morning. Incredibly, through the heroic efforts of the fire crew and perhaps also the enduring resilience of the cathedral itself, much of the structure was spared including the decorated west façade, towers and the three stained-glass Rose windows.  These features encapsulate the style of the Medieval period and the era of the great cathedrals.

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